Tuesday, May 27, 2014

Strange Fruit by Eric Red (2014, EJP)

Editor

David was lucky enough to serve as the editor for this wonderful, noir tale. Eric Red is the acclaimed sceenwriter of The Hitcher and Near Dark. He directed the genre classics 100 Feet and Body Parts, too.

BUY IT HERE!

From Evil Jester Press: A whodunit murder mystery set in a carnival freakshow. When a traveling carnival comes to a small town, a local teenage boy is found brutally murdered and the suspects are the sideshow freaks. But Sheriff Danny Girdler soon discovers things are not what they seem, and he’s in for the surprise of his life when he finds out who the real freak is. Step right up for a trip that will keep you guessing through Dark Americana.

Wednesday, May 7, 2014

Planet X Magazine #2 (2000)

Writer
"Return to an Angry Red Planet"

The chance to interview legendary scifi filmmakers like Academy Award winner Robert Skotak, the genius behind "Space Family Robinson," Ib Melchoir and wonder-producer Sid Pink doesn't come along every day. The article first appeared here in the print version of Planet X Magazine.

Thursday, May 1, 2014

Die, You Zombie Crackers! (2014, Bizarro Pulp Press)

Co-Writer (with Mark Scioneaux)

Available HERE!

From the publisher: The deep, dark woods. They can be scary as hell, especially for the folk that live and love in 'em. Making moonshine and selling moonshine and drinkin' moonshine are all anyone ever cared about... until it happened. Even in the back woods, the yokels weren't safe from no undead poxalips. The dead done come back to life, bad 'shine bein' the cause, and it is up to a small band of hillbillies to stop them new kind a' zombies from killin' everybody. Four rednecks stand between a horde a' un-living rubes and the rest of the world. Only they was brave enough to say, "DIE, YOU ZOMIBE CRACKERS!

Sunday, March 23, 2014

A Man Called Nereus (2014)


as Nereus

A Man Called Nereus is a film that smashes together the genres of Sci-Fi , Crime-Action Drama and Comedy.

Nereus is an autistic man who is being held captive by the Filaria crime family because he has an incredible ability to predict the exact outcome of sporting events. Keith Taylor is a drug addict that is struggling to stay clean and employed. This all changes the moment Keith discovers Nereus. With renewed hope, Keith devises a plan to kidnap Nereus and take him to Las Vegas. However many others want Nereus as well. One is an extremist spiritual group named the Mayans; another is two rogue DEA agents that have a plan to take Nereus on a Vegas trip of their own. The most sinister of these groups is the Filaria crime family and their two henchmen Santo and Johnny, who use extreme tactics like posting a bounty and enlisting a group of killer meth heads to hunt down and seize back the “Brain”. Motivated by different reasons these groups inflict damage on one another and annihilate all that stands in between them and Nereus.



As Keith and Nereus try to evade capture they find a kinship that is new to the both of them. Through their journey Keith realizes that Nereus is much more than a savant. He also unveils that they are connected through a greater cause than what is currently transpiring in the fourth dimension. This leads Keith to the secrets behind Nereus’s ability to manipulate space and time and the ancient place these powers originate from.

Eventually Keith will have to decide what path he must take, the one for himself, or the one for Nereus.





Weird Little Kid (2014, Source Point Press)



Writer 

Available HERE!

From Source Point Press: This collection of poetry and verse-like prose (all of it, predictably, dark) from David C. Hayes is new... for him. Translating the macabre wit and thinly-veiled anguish of his fiction into verse was a difficult task and it was only possible by drawing on memories. Hence, "Weird Little Kid" or, as David will tell you, "that cute euphemism they would use for me instead of a name." This volume is illustrated by the very talented Diana Busby (a fellow Michigan State Spartan) and will be available the the beginning of 2014 as an exclusive chapbook. 

Thursday, March 20, 2014

Serial (2013-15, Source Point Press)

Writer/Creator

#1 featuring "Gacy" & "Fish"
#2 featuring  "Nurse's Creed" & "Lizzie Borden"

Serial's first, prototype, issue was published in 2007. Conceived as an anthology series in the vein (no pun intended) of Tales from the Crypt, but focusing on real-life serial killers, the concept proved popular. Source Point Press will be putting Serial out as a quarterly periodical with shifting creative teams.


Penciled by Kurt Belcher and inked by Heinrik Horvath, the lead-off story "Gacy" was banned by Amazon.com. Pick it up to check out why!


"Bathory" written and painted by Kurt Belcher,  "Nurse's Creed" written and illustrated by David C. Hayes, "Lizzie" written by Kevin Moyers and illustrated by Eric Xton, "La Mataviejtas" written by Trico Lutkins and illustrated by David Andres.

Wednesday, January 1, 2014

Ed Wood's The Vampire's Tomb (2013)

as Flinch Ruppert & Lobo

BUY IT HERE!

Terminal Pictures Presents a film by Andre Perkowski based on the writings of Edward D. Wood, Jr.

Available at last! The forgotten horror classic, from beyond the grave, from beyond space and time.

Beyond anything your mind can conceive from the muddled mind of Edward D. Wood Jr. and the monochromatic cameras from the most exclusive thrift stores comes a tale to torment YOU!

STARRING - Kathleen Cecchin - Chandra Curtis - Jason Degruttola - Katie Dugan - David C. Hayes - Keith Heimpel - Steve Hickson - Paul Hofmann - Kevin Marquette - Christopher Roy - Andy Wibbels
and the voice of CRISWELL

From the director: In 2000 we shot about 60-70% of this unproduced Edward D. Wood, Jr. project intended for Bela Lugosi in Chicago in four or five days in a high pitched, melodramatic gothic soap opera style...

The tapes sat on a shelf for ages until the "Lugosi Problem" was solved... in a thoroughly chiropractor-ish fashion, as it turned out. Plus there was the fact that the whole "Vampire" thing mentioned in the title hadn't actually been shot yet. The rest of the script was shot on hideously outdated Ukranian Super-8, Double-X 16mm, and Tri-X Super-8 in Spring 2006 in Brooklyn, New Jersey, Doylestown, and Astoria and is dedicated to all those who have owed film labs bills for decades and to the Shirley inside all of us... with voiceover help from Philip Proctor from the Firesign Theatre and the almighty Criswell... thanks to everyone involved for the unspeakably strange experience across the gulf of bad continuity.

For Kathy Wood
1922-2006
and Maila Nurmi.
1922-2008